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Monday, February 18, 2019

The Suppression of the Other and Self-Enlightenment in William Wordsworths Resolution and Independence :: essays research papers

My response to William Wordsworths Resolution and Independence focuses upon the precept that Wordsworths narrator uses the tale of the parasite Gatherer as a means to master resolution to his own internal crisis. This is highlighted by, in my opinion, the narrator not so much paying attention to the Leech Gatherers tale, soon enough instead his pre-occupation with what he wants to interpret from the tale in order to run into his needs. I further argue that in doing so Wordsworths verse constructs the Leech Gatherer as the other, and that his otherness is suppressed by converting him into a mere instrument by which the narrator attains enlightenment. Although my reading of the rime is heavily foc employ on the encounter between the narrator and the Leech Gatherer, this doesnt occur until the eighth stanza. The poem starts with the narrator out for a stroll, feeling as happy as a boy marveling at the offerings of nature in the sunshine following a roaring in the wind all night. What struck me from these opening stanzas was the rhyming pattern used throughout the poem. Set in rhyme royal I piece the meter both inviting and accessible, which made for an entertaining read from the outset. However from this gratifying beginning, preferably suddenly and apparently inexplicably during the fourth stanza, the narrator undergoes a violent mood swing As high as we have attach in delight/In our dejection do we sink so low/ To me that morning did it happen so. This sudden change left me quite disorientated and perplexed as to cause of his depression. After re-reading the passage and considering it in the condition of the entire poem I felt that this mood swing was the lectors first indication of the narrators status as a poet. This notion of a poets perspective remained at the suck up of my reading and I felt constantly reminded that the narrators sequent quest for resolution and enlightenment came from the perspective of a poet, not only when an individual . My view of the narrator within this context was not an entirely irrefutable one, as in addition to seeming over-analytical and emotionally fragile get and longing to be comforted - I felt he came across as condescending toward the Leach-Gatherer as if he came from a position of higher(prenominal) moral ground by virtue of his occupation as a poet. Within this context, an observation I found significant was

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